A quick round up of 2011 in regards to my writing. That's all this is, so if you couldn't give a shit about my writing stop reading now.
That leaves me free to wax lyrical about myself without inhibition.
Been an odd year this for my writing. I have written two scripts I'm really proud of, but it took me a while to get going. After I finished last year being really proud of a feature script, which has opened doors for me but more of that in the future, I began 2011 struggling with a sitcom script and vowing never to write comedy again.
Then came Rhys Jones' and my idea for a web series entitled Twisted showcase. Our call out for writers has been accessed nearly 500 times on my blog. Lots of talent out there. This is the most ambitious project I've took on and it's taken longer than expected to get it all up and running, but we're closing in on it and news should start emerging in January about it.
After this I began another sitcom script, forgetting my vow to stay away from comedy. This was one of the easiest things I've written. It flowed, and i moved onto a sixty minute TV script, which was more difficult but really rewarding as it turned out to be my most complex script with lots going on.
After this I decided my Twisted Showcase script was too complex, so went back and wrote two alternatives. All in all it ended up being a productive summer.
Now i'm working on another feature script, which is proving a challenge, but a tantalising one. I'm sure you'll hear more about it some day soon.
So, I guess, a lot of this year is building stuff up, still. But things did come out, my comic strip Susie Pepper's Teeth in Murky Depths. My interview with Gareth Roberts in Vworp Vworp, and the short film which I wrote and was directed by Leigh Jones screened at the Ozu Film Festival and from what I've heard went down well.
More news to come in the new year I'm sure, now back to that feature script, and another little project I've got planned. So, with an air of mystery let's head into the next year.
Happy New Year.
Saturday, 31 December 2011
Saturday, 24 December 2011
Treat Twelve: Nuns Part Two
It was opening day and Dirk got his first customer. The customer walked past the huge display for Nuns on the Run, probably the most well known Nun film, and straight to the back of the store. There he caught sight of a film with a similar name, Nuns up the Bum. He realised he had walked into the adult section. He went back to the normal shelf and looked at many films including Much Ado about Nunning, The Nun of Oz, Nun Wars 4: The Monastery Strikes Back. The lone customer even rifled through the depths of the bargain bucket only to throw back Sister Act 1 and 2 to the hell from which they were born.
This customer just couldn’t find what he wanted so went to ask Dirk if he had the title he was looking for anywhere.
“Excuse me, do you have March of the Penguins.”
THE END
Thanks to everyone whose visited the blog this year, have a great Christmas and New year, I may do a cliched end of year blog, not sure yet.
This customer just couldn’t find what he wanted so went to ask Dirk if he had the title he was looking for anywhere.
“Excuse me, do you have March of the Penguins.”
THE END
Thanks to everyone whose visited the blog this year, have a great Christmas and New year, I may do a cliched end of year blog, not sure yet.
Treat Eleven: Nuns Part One
Another story for the penultimate Christmas Treat. I'll conclude this later on today so keep checking. Hope you enjoy my story Nuns.
Nuns
Dirk was a huge film fan. Dirk was an uber geek. He collected all things to do with films. Lord of the Rings, Star Wars, even Howard the Duck, he collected all film memorabilia. The other fact which is helpful to know about Dirk is that he was a multi-millionaire. He was able to indulge in every collection because he could afford it. He followed every whim because he could afford it.
It was a Tuesday evening, and it was raining. Nothing at all spectacular, in the whole of the world happened on this evening apart from an idea Dirk had. His idea was to start up a specialised dvd rental shop.
He already had many specialised dvd rental shops. One for films with rabbits, one for films with bongo players and one for films with people dressed as rabbits. None of them did much business, people wanted more variety, but he didn’t care because he was rich.
His idea on this wet Tuesday night was to set up a dvd rental shop that specialised in films about Nuns.
Nuns
Dirk was a huge film fan. Dirk was an uber geek. He collected all things to do with films. Lord of the Rings, Star Wars, even Howard the Duck, he collected all film memorabilia. The other fact which is helpful to know about Dirk is that he was a multi-millionaire. He was able to indulge in every collection because he could afford it. He followed every whim because he could afford it.
It was a Tuesday evening, and it was raining. Nothing at all spectacular, in the whole of the world happened on this evening apart from an idea Dirk had. His idea was to start up a specialised dvd rental shop.
He already had many specialised dvd rental shops. One for films with rabbits, one for films with bongo players and one for films with people dressed as rabbits. None of them did much business, people wanted more variety, but he didn’t care because he was rich.
His idea on this wet Tuesday night was to set up a dvd rental shop that specialised in films about Nuns.
Thursday, 22 December 2011
Treat Ten: Spaceships over Deeside podcast
If you're not checking out Spaceships Over Deeside's blog then why not?
Full of interesting composistions, and great podcasts, it's worth having a look at.
I've put together half of the most recent podcast, with the other half being chosen by Spaceships.
Usually when making a mix tape, how old am I? Mixtape?, I like to work out how the tracks sound next to each other, puzzle over what makes a great opening track. I've tried to do that here, but have not heard how it runs together yet, so make sure you go check it out, give it a download, let me know what you think.
Go here.
Full of interesting composistions, and great podcasts, it's worth having a look at.
I've put together half of the most recent podcast, with the other half being chosen by Spaceships.
Usually when making a mix tape, how old am I? Mixtape?, I like to work out how the tracks sound next to each other, puzzle over what makes a great opening track. I've tried to do that here, but have not heard how it runs together yet, so make sure you go check it out, give it a download, let me know what you think.
Go here.
Tuesday, 20 December 2011
Treat Nine: The best films of 2011
Hi,
Since we've had my grouchy list of worst films of the year, now to look at my depressing list of great films of the year. If you loved or hated anything on the list let me know. Anything I've missed let me know. It could be I haven't seen it or that your opinion sucks. Whatever. Debate is good.
The Top 10 films of 2011
Since we've had my grouchy list of worst films of the year, now to look at my depressing list of great films of the year. If you loved or hated anything on the list let me know. Anything I've missed let me know. It could be I haven't seen it or that your opinion sucks. Whatever. Debate is good.
The Top 10 films of 2011
Monday, 19 December 2011
Treat Eight: Melancholy Ruckus (Foreplay)
On twitter a few days ago I put a shout out, off the cuff really for people who follow me to tweet me with words to include in a one page script I would write that would be one of my 12 treats of Christmas.
I recieved two words to include, so it didn't prove to be that much of a challenge, and those two words form the title of the piece, along with one word I added, which I placed in brackets, because it is either A) not as important, or B) twice as important.
The words I was five to work with were:
Melancholy- provided by @pnorris14
Ruckus- by LilJerseyDevil
To complete the title I added Foreplay
So the full title is MELANCHOLY RUCKUS(FOREPLAY)
You can read the one page script below. Hope you enjoy
I recieved two words to include, so it didn't prove to be that much of a challenge, and those two words form the title of the piece, along with one word I added, which I placed in brackets, because it is either A) not as important, or B) twice as important.
The words I was five to work with were:
Melancholy- provided by @pnorris14
Ruckus- by LilJerseyDevil
To complete the title I added Foreplay
So the full title is MELANCHOLY RUCKUS(FOREPLAY)
You can read the one page script below. Hope you enjoy
Sunday, 18 December 2011
Treat Seven: New look blog
I've been hating the sickly pea green look of my blog for a while now.
So, treat seven is mainly for me.
Hark at my new look blog.
So, treat seven is mainly for me.
Hark at my new look blog.
Saturday, 17 December 2011
Treat Six: The Jungle Band outline
Another submission from this year, was for a childrens TV opportunity.
This is an outline for a puppet based kids show about a group of animals who form a band.
THE JUNGLE BAND : INTRODUCING THE BAND
WHAT IT IS
An entertaining insight behind the scenes into the life of a puppet band.
A magical mix of puppets, animation and live action, with magical sprites, evil magicians, stressed managers and musical puppets.
A mix of the optimism and love of music of Glee with the puppets and energy of The Muppet Show but for a younger audience.
Educational programme about music and other creative endeavours, as well as introducing different world cultures.
Interactive programme that asks the audience to be part of proceedings through dance, music and talking to the characters.
OUTLINE
The show lends itself to lots of variety performances as we follow the band’s World Tour. The audience will see performances from dance outfits which they could join in with, other pop acts, magicians and other variety performances, whilst also following the plot of the week which will involve the puppet band of Jeremy Lion, Andrea the poodle, Tony Hedgehog and Bohemian Rat Sidney.
The world tour also gives the opportunity to introduce different locations and their differences to the audience in a simple, light hearted and funny way.
Lots of running jokes continue through the series like the manager always running about, stressed and avoiding the band so he doesn’t get in trouble with the band.
It also continues the vendetta that Marvello the Magician has against the band because he wants to be headline act instead of the band, we constantly see him trying to become headline act at the detriment of the Jungle Band, but always failing in hilarious ways.
The show also contains many catchy songs of The Jungle Band, which would close the show on a high each week and sum up the plot line of that specific episode.
This is an outline for a puppet based kids show about a group of animals who form a band.
THE JUNGLE BAND : INTRODUCING THE BAND
WHAT IT IS
An entertaining insight behind the scenes into the life of a puppet band.
A magical mix of puppets, animation and live action, with magical sprites, evil magicians, stressed managers and musical puppets.
A mix of the optimism and love of music of Glee with the puppets and energy of The Muppet Show but for a younger audience.
Educational programme about music and other creative endeavours, as well as introducing different world cultures.
Interactive programme that asks the audience to be part of proceedings through dance, music and talking to the characters.
OUTLINE
The show lends itself to lots of variety performances as we follow the band’s World Tour. The audience will see performances from dance outfits which they could join in with, other pop acts, magicians and other variety performances, whilst also following the plot of the week which will involve the puppet band of Jeremy Lion, Andrea the poodle, Tony Hedgehog and Bohemian Rat Sidney.
The world tour also gives the opportunity to introduce different locations and their differences to the audience in a simple, light hearted and funny way.
Lots of running jokes continue through the series like the manager always running about, stressed and avoiding the band so he doesn’t get in trouble with the band.
It also continues the vendetta that Marvello the Magician has against the band because he wants to be headline act instead of the band, we constantly see him trying to become headline act at the detriment of the Jungle Band, but always failing in hilarious ways.
The show also contains many catchy songs of The Jungle Band, which would close the show on a high each week and sum up the plot line of that specific episode.
Wednesday, 14 December 2011
Treat Five: Newsjack rejected one liners
February this year I submitted some one liners to the BBc radio show Newsjack.
In all fairness they weren't very good, hence them being rejected. And risking embarrassment I'm posting them up here for you to sneer at.
Here they are:
“Kids are being warned about sexting? Closest we got to that when I was young was anatomically correct graffiti in toilet cubicles.”
“The Weinstein company are re editing The King’s speech for the American market, apparently if you take all the stuttering out they have a perfect hour long drama.”
In all fairness they weren't very good, hence them being rejected. And risking embarrassment I'm posting them up here for you to sneer at.
Here they are:
“Kids are being warned about sexting? Closest we got to that when I was young was anatomically correct graffiti in toilet cubicles.”
“The Weinstein company are re editing The King’s speech for the American market, apparently if you take all the stuttering out they have a perfect hour long drama.”
Friday, 9 December 2011
Treat Four: The worst films of 2011
We all love a good moan, right? Well here's my festive rant. The ten worst films of 2011 over at my film blog at IN/OUT magazine.
If you disagree come back here and tell me in the comments, or have a stern word with me on twitter. I also want to know your worst films of the year.
Anyway, go check out the blog
http://www.inoutmagazine.co.uk/blogsdetailnew.php?blogAuthor=robinbell
If you disagree come back here and tell me in the comments, or have a stern word with me on twitter. I also want to know your worst films of the year.
Anyway, go check out the blog
http://www.inoutmagazine.co.uk/blogsdetailnew.php?blogAuthor=robinbell
Monday, 5 December 2011
Treat Three: Daily Flash 2012
I'm in print.
So, sigh of relief for you if you thought the Daily Flash involved something a little more disturbing.
Pill Hill Press have a new book out which contains a story for every day of the upcoming year and one of them is mine. I think it's April 5th. The story is pretty bizarre, and is entitled Telephones.
You can get the book here
Looking for something to read next year? You might as well.
Friday, 2 December 2011
Treat Two: Tongue Part Two
An age passed before Howard let him in. The house was in disarray, and Dale sat in the only available place there was; the arm of a well worn chair that was placed across from Howards.
“Howard, I know you’re not involved, but you’re lucky it was me that saw you?”
“Where? I ain’t been nowhere.”
“Not even up to Caergwrle Castle? Around the ruins? Through the woods?”
“I was just checking everything was OK?”
“I know you were Howard. But it wasn’t was it?”
“No. She was dead. Was it me again?”
“I don’t think so Howard, but how did you know to go up there, to the castle?”
“I followed him.”
Bingo. This was it. Exactly what Dale had been waiting for, and expecting. He’d got it exactly right. It was that moment in the case when the spine tingled. Dale stood up, and breathing deeply, he began to slowly pace around the unpleasant room, placing his feet carefully around the debris on the floor.
“Who did you follow Howard?”
Dale headed towards the window. He couldn’t stay seated with the adrenalin now coursing through him. He remembered that feeling he had that someone was following him. Dale peered through Howards dirty blinds.
“He lives two doors down. He posts me letters asking for details about the things I’ve done so I’ve been writing him what is in my head and posting it after dark. Then I realised...”
Dale swiftly took a sharp intake of breath, for the second time today he’d seen something move behind foliage. Then he saw another movement a little further away. They knew where he was heading, and had sent a back up team to keep an eye on him.
“No, no, no, no, no.” Dale seethed, anguish pouring out of him. “You say two doors down Howard?”
Howard nodded, and Dale barged past him tripping over the filth all over the floor, he stumbled and slipped his way to the front door in a panic. He let himself out and ran through the thick overgrown garden before leaping over the hedge.
“You idiots,” he shouted at the back up team, there were five of them. Dale looked around. Two more were in hiding that he hadn’t seen on first glance. “The killer is two doors down from here. If he’s seen you he’ll be prepared or already gone.”
“Or going,” one of the back up team said and pointed at a man in a long black coat, which was billowing behind him as he ran down the street.
Dale turned and gave chase, his feet pounding the street. He instantly felt his heart beating hard. The whiskey didn’t help at moments like this. Four in the morning it worked a treat, but right now Dale had to run through the pain. Dale felt sweat pour out of him and his breathing turn wheezy but still he pushed forward, against the tide.
The man was heading towards the park which Dale could see was full of children. Dale looked ahead and made a quick head count of the park. There were twelve kids playing football on the small pitch they’ve made, their coats acting for goalposts, there were three smaller kids on the climbing frame, one atop the slide and two on the swings with another two pushing them.
The man leaped over the park gate, and the heads of the children all turned to see what was going on. They could sense that something was wrong and fear spread amongst the park. Dale leaped over the fence and was closing in on the man even though his body ached. All the children froze apart from the three kids on the climbing frame. They quickly scarpered as the man began to climb up there until he stood atop it. As Dale approached the man pulled out a knife, Dale stopped and stared up at the man who slowly shook his head at him, his eyes full of tears.
Then something happened which created an image Dale would never be able to get out of his head. It seemed to happen in slow motion, and bring with it a nauseous feeling. The man lifted the knife towards his mouth, parted his lips, pushed his tongue out and began to cut through at its base. He held on tight to the tongue and pushed the knife through the sinewy muscle. Screaming commenced from all around, and the kids flocked out of the park. Dale was rooted to the spot as the carving of the tongue continued. Before Dale could do anything the severed tongue was thrown to the floor with a slap and the man collapsed, falling in an ugly bundle from the climbing frame, contorting through the bars before smacking his head off the floor.
The man, they determined his name to be Andrew Thomas, twice married, twice divorced, one kid who wouldn’t speak to him anymore, was in a coma. Howard was brought into the hospital to identify him and was then taken to the station to be questioned. Howard had sent correspondence but never met with Andrew. His correspondence included fantasy tales of crimes Howard had not even committed, except for in his own head. The messages back from Andrew were all about how he was gratified by Howards’ letters and required more, until the last letter in which he told Howard what he had done. Howard had admitted that he followed Andrew out of morbid fascination, but hadn’t seen any evidence that he had killed anyone until the castle killing. Dale suspected this was a lie but didn’t mention anything as he didn’t think Howard deserved to get into trouble even though he may have been able to stop the death of two completely innocent women. When asked whether he knew why Andrew had done it Howard shrugged but pulled a letter from his pocket. It was Andrew’s last letter. It was crumbled and worn, Howard had held it, and read it so many times, that was obvious. It detailed his plans what he was going to do to these specific women who had ignored him and his advances. “They gave me no voice, so I have to make my actions heard, and then take their voice away,” read the most chilling line.
Dale went home, which was around the corner from Howards’ house. He was used to the cases he worked on being further afield and shuddered at the fact that all this had happened this small rural village where he lived, breathed in and walked through every day. He felt like sitting up all night watching the streets, keeping them safe, but instead Dale walked into his house, and with one look behind him closed the door to the outside world.
“Howard, I know you’re not involved, but you’re lucky it was me that saw you?”
“Where? I ain’t been nowhere.”
“Not even up to Caergwrle Castle? Around the ruins? Through the woods?”
“I was just checking everything was OK?”
“I know you were Howard. But it wasn’t was it?”
“No. She was dead. Was it me again?”
“I don’t think so Howard, but how did you know to go up there, to the castle?”
“I followed him.”
Bingo. This was it. Exactly what Dale had been waiting for, and expecting. He’d got it exactly right. It was that moment in the case when the spine tingled. Dale stood up, and breathing deeply, he began to slowly pace around the unpleasant room, placing his feet carefully around the debris on the floor.
“Who did you follow Howard?”
Dale headed towards the window. He couldn’t stay seated with the adrenalin now coursing through him. He remembered that feeling he had that someone was following him. Dale peered through Howards dirty blinds.
“He lives two doors down. He posts me letters asking for details about the things I’ve done so I’ve been writing him what is in my head and posting it after dark. Then I realised...”
Dale swiftly took a sharp intake of breath, for the second time today he’d seen something move behind foliage. Then he saw another movement a little further away. They knew where he was heading, and had sent a back up team to keep an eye on him.
“No, no, no, no, no.” Dale seethed, anguish pouring out of him. “You say two doors down Howard?”
Howard nodded, and Dale barged past him tripping over the filth all over the floor, he stumbled and slipped his way to the front door in a panic. He let himself out and ran through the thick overgrown garden before leaping over the hedge.
“You idiots,” he shouted at the back up team, there were five of them. Dale looked around. Two more were in hiding that he hadn’t seen on first glance. “The killer is two doors down from here. If he’s seen you he’ll be prepared or already gone.”
“Or going,” one of the back up team said and pointed at a man in a long black coat, which was billowing behind him as he ran down the street.
Dale turned and gave chase, his feet pounding the street. He instantly felt his heart beating hard. The whiskey didn’t help at moments like this. Four in the morning it worked a treat, but right now Dale had to run through the pain. Dale felt sweat pour out of him and his breathing turn wheezy but still he pushed forward, against the tide.
The man was heading towards the park which Dale could see was full of children. Dale looked ahead and made a quick head count of the park. There were twelve kids playing football on the small pitch they’ve made, their coats acting for goalposts, there were three smaller kids on the climbing frame, one atop the slide and two on the swings with another two pushing them.
The man leaped over the park gate, and the heads of the children all turned to see what was going on. They could sense that something was wrong and fear spread amongst the park. Dale leaped over the fence and was closing in on the man even though his body ached. All the children froze apart from the three kids on the climbing frame. They quickly scarpered as the man began to climb up there until he stood atop it. As Dale approached the man pulled out a knife, Dale stopped and stared up at the man who slowly shook his head at him, his eyes full of tears.
Then something happened which created an image Dale would never be able to get out of his head. It seemed to happen in slow motion, and bring with it a nauseous feeling. The man lifted the knife towards his mouth, parted his lips, pushed his tongue out and began to cut through at its base. He held on tight to the tongue and pushed the knife through the sinewy muscle. Screaming commenced from all around, and the kids flocked out of the park. Dale was rooted to the spot as the carving of the tongue continued. Before Dale could do anything the severed tongue was thrown to the floor with a slap and the man collapsed, falling in an ugly bundle from the climbing frame, contorting through the bars before smacking his head off the floor.
The man, they determined his name to be Andrew Thomas, twice married, twice divorced, one kid who wouldn’t speak to him anymore, was in a coma. Howard was brought into the hospital to identify him and was then taken to the station to be questioned. Howard had sent correspondence but never met with Andrew. His correspondence included fantasy tales of crimes Howard had not even committed, except for in his own head. The messages back from Andrew were all about how he was gratified by Howards’ letters and required more, until the last letter in which he told Howard what he had done. Howard had admitted that he followed Andrew out of morbid fascination, but hadn’t seen any evidence that he had killed anyone until the castle killing. Dale suspected this was a lie but didn’t mention anything as he didn’t think Howard deserved to get into trouble even though he may have been able to stop the death of two completely innocent women. When asked whether he knew why Andrew had done it Howard shrugged but pulled a letter from his pocket. It was Andrew’s last letter. It was crumbled and worn, Howard had held it, and read it so many times, that was obvious. It detailed his plans what he was going to do to these specific women who had ignored him and his advances. “They gave me no voice, so I have to make my actions heard, and then take their voice away,” read the most chilling line.
Dale went home, which was around the corner from Howards’ house. He was used to the cases he worked on being further afield and shuddered at the fact that all this had happened this small rural village where he lived, breathed in and walked through every day. He felt like sitting up all night watching the streets, keeping them safe, but instead Dale walked into his house, and with one look behind him closed the door to the outside world.
Thursday, 1 December 2011
Treat One: Tongue Part One
Tongue
by Robin Bell
Her tongue had been cut out.
Dale Billington swept his hand through his hair, taking perspiration from his forehead along with the sweep of his hand. A cold sweat had overcome him, he felt dizzy and sick, but there was nothing to bring up. It had been a long day, a day in which Dale had not had time for food; and just as he was about to venture home a call came in that a woman had been found.
Police sirens flashed into the darkest alleyway in the world. Dale leant against the wall desperately sucking in his breath. He let out a large stream of breath which the frost made visible. It was January, the snow was falling, and the victim was trying to speak, but instead a horrid gurgling sound was echoing through the alleyway.
This was the third victim of the week, for such a small village this was a huge figure. They were both females in their early twenties as was the third victim who was the first one they had found alive, but like the other two her tongue had been cut out and she couldn’t communicate. She was losing a lot of blood and needed to be rushed to hospital, but as they carried her away she looked straight at Dale and tried to tell him something.
This image haunted Dale all through the night as the silent snow fell outside. He lay in bed, the heating turned up, with the bed littered with piles of papers spelling out the case. A whiskey was on the bedside table next to Dale’s pillow. The pillow was sweat stained and looked liked it needed changing months ago. The whiskey looked sparkling and inviting. It’s no wonder that most nights, including tonight, Dale stayed up drinking rather than putting his head down to sleep.
Dale lit a cigarette and went through the case. In a bustling city centre two murders within a week may be startling, but not as terrifying as when they occur in a small village. Hope, where Dale lived, was a small village in North Wales. The nearest city centre was a half hour drive away. This was the kind of place where everyone knew everyone else and their business.
Dale had been approached in the street numerous times daily regarding these recent murders and could gauge the mood of the entire village; and the mood was panic. Mrs Goggins said she wasn’t leaving the house. Ian Griffiths was interviewed on the news revealing how scared his family was. The other emotion was disbelief; no one could believe this was happening in a quiet little village like Hope.
Dale poured himself another shot of whiskey; straight, no ice. Then the phone rang. It had to be bad news at this time of night.
Indeed it was, another body had been found. It was in the neighbouring village of Caergwrle this time. Out of sight of everywhere, up a steep hill in the old castle ruins lay another body, young, female, and their tongue had been cut out.
This was the castle where King Edward 1st reportedly stayed at after Welsh independence came to an end as he arranged a future government for the country during the year 1282. Now it was atop a hill in ruins, no walls had survived intact after a fire that many believed to be caused by arson on 27th August 1283. Centuries later, more crime had been committed atop this hill around the historic castle. Dale stared at the body, lost in thought.
Dale breathed a sigh of relief that this one could be kept quiet for a short amount of time, it was out of the way, and although people might have seen the lights and the police presence at the castle, nothing needed to be mentioned for at least twenty four hours because no one had seen the body.
It was just like the others, the tongue had been cut out. Dale knew the cause of death would be the fact that she had choked on her own blood. Dale sighed, how could this be happening in this quiet village? Nowhere was immune anymore. He stared down at the body, saddened to his very core, another young life ended.
His attention was distracted for a split second by a rustling in the woodland to the left of him, but that split second in the corner of his eye was the final puzzle piece.
He now had all the clues that he needed.
Later, after intolerable hours of stressful work at the station Dale left to get some food, catch some air, any excuse he could think of. He had to go somewhere alone, but he had a creeping suspicion that he was being followed. Dale kept nervously checking over his shoulder but saw no one following him. Paranoia was a side effect of his line of work.
He stood outside the house that he knew held all the answers. It was tatty, a small two bedroom house with an overgrown front garden and a back garden that consisted of discarded wood and metal, a fridge and a coal shed. The owner of this house was Howard Jones. He had lived there all his life, first with his mother who had become insane in the latter years of her life, and when she died he was left the house in her will.
Dale opened the gate which creaked loudly; it seemed louder because of the surrounding silence. The inhabitants of this quiet serene village were hidden away in fear because of recent events. No one was around.
Dale walked up the path and knocked upon the door, which was swiftly opened, but left on the latch. Howard peered though the small gap and didn’t say anything, just sniffed violently, it was a nervous tic that Howard had. Dale was used to it from previous encounters.
“Howard, its Dale, you remember me? Are you going to let me in?”
Howard just sniffed again.
Last time they talked was when Howard was arrested for claiming to be the killer in several high profile nationwide cases. Dale befriended Howard in a strange way. He felt sorry for this hunched wretch, he knew Howard didn’t know what he’d been doing wrong. It was just the way he had been brought up, he didn’t stand a chance.
Howard lived with his mother as her lover from the age of twelve to when she died when he was thirty. He was never allowed to leave the house and if she was entertaining guests, or going out drinking herself, he was locked in the coal shed.
Dale knew that Howard held the key to this case. It was Howard that Dale had seen in the corner of his eye rustling through the woodland. Dale knew Howard wasn’t the killer, but he knew something, he must.
by Robin Bell
Her tongue had been cut out.
Dale Billington swept his hand through his hair, taking perspiration from his forehead along with the sweep of his hand. A cold sweat had overcome him, he felt dizzy and sick, but there was nothing to bring up. It had been a long day, a day in which Dale had not had time for food; and just as he was about to venture home a call came in that a woman had been found.
Police sirens flashed into the darkest alleyway in the world. Dale leant against the wall desperately sucking in his breath. He let out a large stream of breath which the frost made visible. It was January, the snow was falling, and the victim was trying to speak, but instead a horrid gurgling sound was echoing through the alleyway.
This was the third victim of the week, for such a small village this was a huge figure. They were both females in their early twenties as was the third victim who was the first one they had found alive, but like the other two her tongue had been cut out and she couldn’t communicate. She was losing a lot of blood and needed to be rushed to hospital, but as they carried her away she looked straight at Dale and tried to tell him something.
This image haunted Dale all through the night as the silent snow fell outside. He lay in bed, the heating turned up, with the bed littered with piles of papers spelling out the case. A whiskey was on the bedside table next to Dale’s pillow. The pillow was sweat stained and looked liked it needed changing months ago. The whiskey looked sparkling and inviting. It’s no wonder that most nights, including tonight, Dale stayed up drinking rather than putting his head down to sleep.
Dale lit a cigarette and went through the case. In a bustling city centre two murders within a week may be startling, but not as terrifying as when they occur in a small village. Hope, where Dale lived, was a small village in North Wales. The nearest city centre was a half hour drive away. This was the kind of place where everyone knew everyone else and their business.
Dale had been approached in the street numerous times daily regarding these recent murders and could gauge the mood of the entire village; and the mood was panic. Mrs Goggins said she wasn’t leaving the house. Ian Griffiths was interviewed on the news revealing how scared his family was. The other emotion was disbelief; no one could believe this was happening in a quiet little village like Hope.
Dale poured himself another shot of whiskey; straight, no ice. Then the phone rang. It had to be bad news at this time of night.
Indeed it was, another body had been found. It was in the neighbouring village of Caergwrle this time. Out of sight of everywhere, up a steep hill in the old castle ruins lay another body, young, female, and their tongue had been cut out.
This was the castle where King Edward 1st reportedly stayed at after Welsh independence came to an end as he arranged a future government for the country during the year 1282. Now it was atop a hill in ruins, no walls had survived intact after a fire that many believed to be caused by arson on 27th August 1283. Centuries later, more crime had been committed atop this hill around the historic castle. Dale stared at the body, lost in thought.
Dale breathed a sigh of relief that this one could be kept quiet for a short amount of time, it was out of the way, and although people might have seen the lights and the police presence at the castle, nothing needed to be mentioned for at least twenty four hours because no one had seen the body.
It was just like the others, the tongue had been cut out. Dale knew the cause of death would be the fact that she had choked on her own blood. Dale sighed, how could this be happening in this quiet village? Nowhere was immune anymore. He stared down at the body, saddened to his very core, another young life ended.
His attention was distracted for a split second by a rustling in the woodland to the left of him, but that split second in the corner of his eye was the final puzzle piece.
He now had all the clues that he needed.
Later, after intolerable hours of stressful work at the station Dale left to get some food, catch some air, any excuse he could think of. He had to go somewhere alone, but he had a creeping suspicion that he was being followed. Dale kept nervously checking over his shoulder but saw no one following him. Paranoia was a side effect of his line of work.
He stood outside the house that he knew held all the answers. It was tatty, a small two bedroom house with an overgrown front garden and a back garden that consisted of discarded wood and metal, a fridge and a coal shed. The owner of this house was Howard Jones. He had lived there all his life, first with his mother who had become insane in the latter years of her life, and when she died he was left the house in her will.
Dale opened the gate which creaked loudly; it seemed louder because of the surrounding silence. The inhabitants of this quiet serene village were hidden away in fear because of recent events. No one was around.
Dale walked up the path and knocked upon the door, which was swiftly opened, but left on the latch. Howard peered though the small gap and didn’t say anything, just sniffed violently, it was a nervous tic that Howard had. Dale was used to it from previous encounters.
“Howard, its Dale, you remember me? Are you going to let me in?”
Howard just sniffed again.
Last time they talked was when Howard was arrested for claiming to be the killer in several high profile nationwide cases. Dale befriended Howard in a strange way. He felt sorry for this hunched wretch, he knew Howard didn’t know what he’d been doing wrong. It was just the way he had been brought up, he didn’t stand a chance.
Howard lived with his mother as her lover from the age of twelve to when she died when he was thirty. He was never allowed to leave the house and if she was entertaining guests, or going out drinking herself, he was locked in the coal shed.
Dale knew that Howard held the key to this case. It was Howard that Dale had seen in the corner of his eye rustling through the woodland. Dale knew Howard wasn’t the killer, but he knew something, he must.
Sunday, 27 November 2011
The 12 treats of Christmas- The Sequel
Last year I posted up twelve posts between the first of December and Christmas Day, 12 so called treats, stories, songs and the like. This year I'll be doing the same. I've been making lists as to what to include this year, any suggestions let me know ASAP and I'll try and include it.
Thursday, 13 October 2011
Writing progress
Writing's a hard thing to blog about sometimes. All the exciting stuff is things that can't be talked about..... yet.
Like Twisted showcase, coming your way soon, not as soon as we hoped, but very, very soon. Everyone has been working really hard so we hope it finds an audience.
And other scripts are all bubbling away doing thing, and then today news of something else that may be appearing on the web in the future, with some very innovative storytelling.
Then, some great news that I can tell you, short film written by myself The Fear of Living, with it's very own blog is showing tonight at the Ozu film Festival. Wish I could be there. It'll look great on a big screen, Leigh Jones did such a good job of directing it.
Wish there was more I could say. Oh there is, keep your eyes on the blog around Halloween.
Like Twisted showcase, coming your way soon, not as soon as we hoped, but very, very soon. Everyone has been working really hard so we hope it finds an audience.
And other scripts are all bubbling away doing thing, and then today news of something else that may be appearing on the web in the future, with some very innovative storytelling.
Then, some great news that I can tell you, short film written by myself The Fear of Living, with it's very own blog is showing tonight at the Ozu film Festival. Wish I could be there. It'll look great on a big screen, Leigh Jones did such a good job of directing it.
Wish there was more I could say. Oh there is, keep your eyes on the blog around Halloween.
Thursday, 11 August 2011
VWORP VWORP- Issue 2- The Lodger article
Hi,
Vworp Vworp issue 2 is available for pre order, and it contains my article on the adaptation of The Lodger from comic strip to TV episode, the article includes my interview with writer of both of the above Gareth Roberts. The article was written before knowledge of a sequel to The Lodger came to light, which I'm really looking forward to.
The first issue of Vworp Vworp was so good and this second one features loads of stuff on Abslom Daak, if you're into the Doctor Who comic strips it's a must buy.
Go here
Vworp Vworp issue 2 is available for pre order, and it contains my article on the adaptation of The Lodger from comic strip to TV episode, the article includes my interview with writer of both of the above Gareth Roberts. The article was written before knowledge of a sequel to The Lodger came to light, which I'm really looking forward to.
The first issue of Vworp Vworp was so good and this second one features loads of stuff on Abslom Daak, if you're into the Doctor Who comic strips it's a must buy.
Go here
Tuesday, 21 June 2011
Goldman's Advice on Casting
If you want to write for film you 100% must read William Goldman's Adventures in the Screen Trade. It's full of advice and plus it's a brilliantly written book on a subject you're interested in so you can't go wrong.
Even if you just have a passing interest in writing or films you will have probably heard Goldman's most famous phrase, which crops up in almost all articles on screenwriting nowadays to the point I've heard it too much. We all know that 'Nobody knows anything'. Stop reminding us because Goldman said it best.
What I'm going to concentrate on here is not that piece of advice but another of Goldman's which has been ringing true on a short film that we've been trying to cast for quite a while now. Although breakthroughs seem to be occurring with that project now.
So, to quote Goldman on stars, and I think this is true of all aspiring actors when casting a short film too, he says "Here is one of the basic lessons a screenwriter must learn and live with: Stars will not play weak and they will not play blemished, and you better know that now."
Did I listen? No.
I wrote a short film about a man who seeks therapy after becoming addicted to internet pornography, to mention anymore would be to spoil the story, but let's just say the lead remains flawed, suffering even more degradation throughout the script. But, I believe, as do others that have read the script or heard the idea, that it is seriously funny.
What has been funnier is some of the responses. No names mentioned, but here's some responses from actors upon reading the script.
"I've asked my family and friends and have to take the decision that this role would be harmful to my chances of more acting work."
"Sorry it's not for me at all. Bit disgusting."
"I think you may need a different kind of help than an actor. Maybe mental help?"
I'm not saying any of these opinions are wrong. In fact, I am in the wrong for not listening to William Goldman's advice. I just didn't consider that actors at this level will turn down roles for the same reasons that stars at the highest level will; to protect their image.
Hopefully now we are closing in on casting the film, for a while we did consider toning down the content, but have stuck to our guns and now have a few audition tapes to look at and consider our options.
The film is called I'm in Love, and I will do my best to keep you updated about it.
Even if you just have a passing interest in writing or films you will have probably heard Goldman's most famous phrase, which crops up in almost all articles on screenwriting nowadays to the point I've heard it too much. We all know that 'Nobody knows anything'. Stop reminding us because Goldman said it best.
What I'm going to concentrate on here is not that piece of advice but another of Goldman's which has been ringing true on a short film that we've been trying to cast for quite a while now. Although breakthroughs seem to be occurring with that project now.
So, to quote Goldman on stars, and I think this is true of all aspiring actors when casting a short film too, he says "Here is one of the basic lessons a screenwriter must learn and live with: Stars will not play weak and they will not play blemished, and you better know that now."
Did I listen? No.
I wrote a short film about a man who seeks therapy after becoming addicted to internet pornography, to mention anymore would be to spoil the story, but let's just say the lead remains flawed, suffering even more degradation throughout the script. But, I believe, as do others that have read the script or heard the idea, that it is seriously funny.
What has been funnier is some of the responses. No names mentioned, but here's some responses from actors upon reading the script.
"I've asked my family and friends and have to take the decision that this role would be harmful to my chances of more acting work."
"Sorry it's not for me at all. Bit disgusting."
"I think you may need a different kind of help than an actor. Maybe mental help?"
I'm not saying any of these opinions are wrong. In fact, I am in the wrong for not listening to William Goldman's advice. I just didn't consider that actors at this level will turn down roles for the same reasons that stars at the highest level will; to protect their image.
Hopefully now we are closing in on casting the film, for a while we did consider toning down the content, but have stuck to our guns and now have a few audition tapes to look at and consider our options.
The film is called I'm in Love, and I will do my best to keep you updated about it.
Tuesday, 14 June 2011
A Burning Human in Celestial Toyroom
GREAT NEWS!
My Fifth Doctor short story 'The Burning Human' will feature in the July issue of Doctor Who Appreciation Society's Celestial Toyroom, or CT if you prefer. It's a fun adventure. Great for summertime reading. ENJOY!!!!!
My Fifth Doctor short story 'The Burning Human' will feature in the July issue of Doctor Who Appreciation Society's Celestial Toyroom, or CT if you prefer. It's a fun adventure. Great for summertime reading. ENJOY!!!!!
Saturday, 21 May 2011
Busy Buzzie Bumblebee
Been a very busy time. Twisted Showcase is now fully underway. Yet to contact all writers whose scripts are chosen, but a few have been, I'm sure a blog/website wil be set up to inform of news on the series and what not.
Will be some new regarding Fear of Living soon, but in the meantime why don't you check out the trailer
Also just finished first draft of a sitcom script. Now moving onto another script. Still considering options for my horror film script, and other scripts are with other companies and some other news just around the corner.
It's all very busy.
Hope you're good, whoever you are reading this.
Will be some new regarding Fear of Living soon, but in the meantime why don't you check out the trailer
Also just finished first draft of a sitcom script. Now moving onto another script. Still considering options for my horror film script, and other scripts are with other companies and some other news just around the corner.
It's all very busy.
Hope you're good, whoever you are reading this.
Thursday, 12 May 2011
Back to work
So here's where it begins. Soon the Twisted showcase site will be up and running, and if you submitted a script you will be contacted in the next few days if we want to go ahead with it.
Some new scripts will be started by myself in the next few days, my last attempt at a sitcom script one I've been building up for a quite a while, hope i can pull that off, and got a few ideas queued afterwards so hoping for some prosperous writing months ahead.
I have had some good news about a certain script of mine, but I'm staying quiet on that for now.
This is a kind of dropping in for a catch up and a cup of tea blog.
Some new scripts will be started by myself in the next few days, my last attempt at a sitcom script one I've been building up for a quite a while, hope i can pull that off, and got a few ideas queued afterwards so hoping for some prosperous writing months ahead.
I have had some good news about a certain script of mine, but I'm staying quiet on that for now.
This is a kind of dropping in for a catch up and a cup of tea blog.
Wednesday, 4 May 2011
Planet Failure
Looking for an illustrator, or the word that first came to my childlike mind, drawer for a comic strip project.
Really simple stuff, could be compared to something like American Splendor. We have a page or two of sample script so if you'd liek to have a look or have a go at it contact me at contactdhrupick@hotmail.com
Really simple stuff, could be compared to something like American Splendor. We have a page or two of sample script so if you'd liek to have a look or have a go at it contact me at contactdhrupick@hotmail.com
Monday, 25 April 2011
Thanks for all the Lizard Fish
I haven't blogged for a while as I wanted to keep up the script call for Twisted Showcase. the deadline has passed for that now and we're going through all the scripts we recieved. If you submitted a script, thank you and Good Luck with it.
If you're a writer, whilst you're here you might like to know about a new production company with BAFTA credentials who are looking for scripts, check out Lizard Fish.
If you're a writer, whilst you're here you might like to know about a new production company with BAFTA credentials who are looking for scripts, check out Lizard Fish.
Friday, 25 March 2011
Twisted Showcase Presents...
Hello,
Recently my film maker friend Rhys Jones (you really should check out his night killer films on the you tube) told me about this idea for a web series he had and brought me on board. Now, if you're a writer, we'd like you to be involved.
Here's the brief:
We are looking for writers to submit scripts for a series of short films in the horror genre.
The films need to be:
• 5 minutes in length.
• Horror/sci-fi/comedy and all the permutations that could come from that
• Domestic setting (when the normal meets the abnormal theme)
• 3 characters max
As we are working with no budget it would best to keep things small, as fun as a film about space men from mars battling a roman legion with a cast of hundreds set 3000 years ago would be, it would also be impossible for us to do. So keep it simple, but also let your imagination run wild as we are looking for interesting ideas here.
The rest is up to you.
The best 2 or 3 submissions will be made into episodes of the series.
We will be shooting during the summer and looking to upload the episodes around October/November time.
If you'd like to submit a script or if you have any questions please send them to
twistedshowcase@gmail.com
Deadline for Submissions is Wednesday 20th April
Cheers
Recently my film maker friend Rhys Jones (you really should check out his night killer films on the you tube) told me about this idea for a web series he had and brought me on board. Now, if you're a writer, we'd like you to be involved.
Here's the brief:
We are looking for writers to submit scripts for a series of short films in the horror genre.
The films need to be:
• 5 minutes in length.
• Horror/sci-fi/comedy and all the permutations that could come from that
• Domestic setting (when the normal meets the abnormal theme)
• 3 characters max
As we are working with no budget it would best to keep things small, as fun as a film about space men from mars battling a roman legion with a cast of hundreds set 3000 years ago would be, it would also be impossible for us to do. So keep it simple, but also let your imagination run wild as we are looking for interesting ideas here.
The rest is up to you.
The best 2 or 3 submissions will be made into episodes of the series.
We will be shooting during the summer and looking to upload the episodes around October/November time.
If you'd like to submit a script or if you have any questions please send them to
twistedshowcase@gmail.com
Deadline for Submissions is Wednesday 20th April
Cheers
Saturday, 12 March 2011
Spaceships Over Deeside video
I was very happy when Spaceships Over Deeside asked me to direct a video for one of their songs. This is the outcome.
Hope you like the video for Brilliant New T Shirt Remix.
Hope you like the video for Brilliant New T Shirt Remix.
Monday, 7 March 2011
Little White Lies Fear of Living interview
A couple of months ago myself and Leigh Jones conducted an interview with Little Whie Lies, for their Grass Roots blog, concerning the Fear of Living.
If you haven't heard of the film, a short that I wrote and Leigh directed, head over to the blog there will be plenty of updates to that very soon.
Anyway, here's the link to the interview in Little White Lies if you'd like to go and have a read.
http://www.littlewhitelies.co.uk/blog/grass-roots-the-fear-of-living-13970
Thanks
If you haven't heard of the film, a short that I wrote and Leigh directed, head over to the blog there will be plenty of updates to that very soon.
Anyway, here's the link to the interview in Little White Lies if you'd like to go and have a read.
http://www.littlewhitelies.co.uk/blog/grass-roots-the-fear-of-living-13970
Thanks
Wednesday, 23 February 2011
Upcoming projects
Here's a sort of catch up on stuff I'm upto at the moment.
This is all stuff that I'm pursuing myself, making for no budget, you can't sit around waiting for people to do stuff with your scripts you have to get out there and do stuff yourself.
Although I have got some big scripts that I'm seeking production companies for.
The thing with these upcoming projects is I'm not sure if any of them will happen, things change, it's not easy to get things made, the only one I'm sure about is the first upcoming project as I finished editing that myself last night.
So...Here...We...Go
Typecasts- This is something that’s definite. It’s been written, shot, edited, Completely completed. It’s a 5 minute, supposed, comedy short film. It concerns a couple, one an actor and the other his put upon boyfriend. I act in it which is supremely embarrassing. But I’ll be blogging about this in the near future, some invaluable lessons learnt.
Where I’m From- This is my attempt at a documentary. This project came about by accident. With the purchase of my new camera me and my friend Jim decided to wander around the local castle to test run it. We got some great footage, then I stumbled across this opportunity
www.texasmonthly.com/2011filmcontest
I recommend anyone to go for it, it’ll be immense fun, although it does mean more editing for me.
I’m in love- A film I won’t have to edit, phew. This is hopefully being directed by Leigh Jones, the second film I’ll have made with him after The Fear of Living. This one is more of a surreal comedy, a bit smutty too. It’s a cracking little script even if I say so myself, but we were meant to be filming Saturday and one of our actors had to pull out. Hopefully this can be organised soon and will come together.
Planet Failure- This project is probably the oldest, it concerns a script myself and Richard Holland began writing years and years ago about two wannabe writers on the Dole. It is now our intention to transfer these scripts into another format, maybe a comic?
This is all stuff that I'm pursuing myself, making for no budget, you can't sit around waiting for people to do stuff with your scripts you have to get out there and do stuff yourself.
Although I have got some big scripts that I'm seeking production companies for.
The thing with these upcoming projects is I'm not sure if any of them will happen, things change, it's not easy to get things made, the only one I'm sure about is the first upcoming project as I finished editing that myself last night.
So...Here...We...Go
Typecasts- This is something that’s definite. It’s been written, shot, edited, Completely completed. It’s a 5 minute, supposed, comedy short film. It concerns a couple, one an actor and the other his put upon boyfriend. I act in it which is supremely embarrassing. But I’ll be blogging about this in the near future, some invaluable lessons learnt.
Where I’m From- This is my attempt at a documentary. This project came about by accident. With the purchase of my new camera me and my friend Jim decided to wander around the local castle to test run it. We got some great footage, then I stumbled across this opportunity
www.texasmonthly.com/2011filmcontest
I recommend anyone to go for it, it’ll be immense fun, although it does mean more editing for me.
I’m in love- A film I won’t have to edit, phew. This is hopefully being directed by Leigh Jones, the second film I’ll have made with him after The Fear of Living. This one is more of a surreal comedy, a bit smutty too. It’s a cracking little script even if I say so myself, but we were meant to be filming Saturday and one of our actors had to pull out. Hopefully this can be organised soon and will come together.
Planet Failure- This project is probably the oldest, it concerns a script myself and Richard Holland began writing years and years ago about two wannabe writers on the Dole. It is now our intention to transfer these scripts into another format, maybe a comic?
Saturday, 19 February 2011
Lack of tweets make Jack a dull boy
Since Friday I haven't been able to tweet. every time I do it comes up with an error message. I'm doomed.
So much mindless rubbish I want to share but can't. These ramblings may form some coherent mass at some point explaining how sad it has become that i need to share this brain spewings of a weirdo.
Finally, I could of tweeted some real news the other day. I was actually filming a new short film, I hope you'll get to see it soon.
I'll update you as much as I can, but unfortunatley not on Twitter at the moment.
So much mindless rubbish I want to share but can't. These ramblings may form some coherent mass at some point explaining how sad it has become that i need to share this brain spewings of a weirdo.
Finally, I could of tweeted some real news the other day. I was actually filming a new short film, I hope you'll get to see it soon.
I'll update you as much as I can, but unfortunatley not on Twitter at the moment.
Sunday, 6 February 2011
Screenwriter Geek: Is this enough?
What I learnt from yesterday was never to post stuff on a Saturday night. My phrasing was all laid back, and lazy. Writers WAITING to breakthrough? Writers don't wait to breakthrough, they try to breakthrough, a constant stuggle, that's what leads to the question of whther you're doing enough to achive that.
So for complete transparency, here's what I do (or try to) writing wise.
Firstly, a feature script per year.
A TV or radio hour long drama script, could be stand alone could be a pilot for a series.
A half hour sitcom.
Two of three short scripts or stories.
Hopefully after that I'll have time to write another random project, in the past this has been a kids TV pilot and a web series.
Alongside this I also like to dabble in scripts with writing partners, this can be fun and bring out different parts of your writing as well as being a good learning activity, e.g. picking up writingtips from the other writer.
So, there's my writing timetable, schedule, workload, whatever you'd like to call it.
What's yours?
So for complete transparency, here's what I do (or try to) writing wise.
Firstly, a feature script per year.
A TV or radio hour long drama script, could be stand alone could be a pilot for a series.
A half hour sitcom.
Two of three short scripts or stories.
Hopefully after that I'll have time to write another random project, in the past this has been a kids TV pilot and a web series.
Alongside this I also like to dabble in scripts with writing partners, this can be fun and bring out different parts of your writing as well as being a good learning activity, e.g. picking up writingtips from the other writer.
So, there's my writing timetable, schedule, workload, whatever you'd like to call it.
What's yours?
Saturday, 5 February 2011
Screenwriter Geek: Am I doing enough?
A constant question for writers waiting to breakthrough is the following: 'Am I doing enough?'
I have discussed this question many times myself with other writers on twitter. The trouble is that there's no answer really.
The question comes from frustration at not breaking through, so you pile pressure upon yourself to do whatever you can to breakthrough, but then you're not sure exactly what to do to breakthrough; which of your ideas to commit to, how to promote yourself, when to give yourself some downtime, watch some TV or whatever you do to relax. These constant questions can overcome you. Especially when you're applying that pressure, maybe because of a job that also takes up a lot of time that you're trying to escape from.
The only answer I have to the question is to ask yourself why you write? The reason I write is because I enjoy it, and that pressure can sometimes impede on my enjoyment. I know if I don't write I feel like gnawing my arm off so I will always write, so I've decided to try and remove that pressure of the question 'Am I doing enough?' and just enjoy my writing.
Promotion of myself and networking on the other hand is an area where I need to improve and ask myself 'Am I doing enough?' This has begun with me booking myself a ticket for this years London Screenwriter's Festival in October.
Finally, this question of 'Am I doing enough?' leads to how can you measure if you're doing enough, Danny Stack answered this question in the latest UK Screenwriter's podcast which can be found here:- http://bit.ly/d0DKlZ
Within it Danny Stack states that to monitor if you shouldn't give up writing or not, the best thing to check is that you're getting positive steps along the way, everyone gets rejection but as long as this is interspersed with little triumphs you know you're heading in the right direction. I apologise to Mr Stack for paraphrasing him there, but I believe that this also answers the question of whether or not you're doing enough.
Now, get back to that script.
I have discussed this question many times myself with other writers on twitter. The trouble is that there's no answer really.
The question comes from frustration at not breaking through, so you pile pressure upon yourself to do whatever you can to breakthrough, but then you're not sure exactly what to do to breakthrough; which of your ideas to commit to, how to promote yourself, when to give yourself some downtime, watch some TV or whatever you do to relax. These constant questions can overcome you. Especially when you're applying that pressure, maybe because of a job that also takes up a lot of time that you're trying to escape from.
The only answer I have to the question is to ask yourself why you write? The reason I write is because I enjoy it, and that pressure can sometimes impede on my enjoyment. I know if I don't write I feel like gnawing my arm off so I will always write, so I've decided to try and remove that pressure of the question 'Am I doing enough?' and just enjoy my writing.
Promotion of myself and networking on the other hand is an area where I need to improve and ask myself 'Am I doing enough?' This has begun with me booking myself a ticket for this years London Screenwriter's Festival in October.
Finally, this question of 'Am I doing enough?' leads to how can you measure if you're doing enough, Danny Stack answered this question in the latest UK Screenwriter's podcast which can be found here:- http://bit.ly/d0DKlZ
Within it Danny Stack states that to monitor if you shouldn't give up writing or not, the best thing to check is that you're getting positive steps along the way, everyone gets rejection but as long as this is interspersed with little triumphs you know you're heading in the right direction. I apologise to Mr Stack for paraphrasing him there, but I believe that this also answers the question of whether or not you're doing enough.
Now, get back to that script.
Monday, 24 January 2011
Spaceships Podcast
Every week my friend Jim compiles a podcast of great tunes on his blog
This week for podcast 13 he asked me to contribute some choices.
Below I'll explain my choices, in painstaking High Fidelity detail, before providing you with the link to go download it.
Firstly, you've got to start with something that grabs the attention, or something epic, you've got to have a launching pad that isn't just a 'normal' tune. I wanted something odd to open up and a good track is the title track from the film PONYO. It's short, sweet and catchy as hell.
Following that we're into the belly of the beast, of what I called when talking about it the MELANCHOLY MIX. New Year's Kiss by Casiotone for the Painfully Alone sets this up.
I then placed Husker Du's I Don't Wanna Know if you are Lonely at 3, i wish this came a bit later, it's something with a but of a faster pace a but louder, it would have broke up proceedings later on. Oh well, nevermind, it's still a great track.
After that come 3 piano led tunes, you'll be a wreck on the floor after those, then picked up by some blues tunes. Walkin' the Blues by Willie Dixon is my favourite song to write to at present.
Then the end of my stint with track 9 The Leaning Tree off the new Sun Kil Moon album, epic yet stripped back, with perfect vocals and guitar playing.
So, if you've read all this surely you'll be clicking this link.
http://thereisspaceshipsoverdeeside.blogspot.com/2011/01/spaceships-on-radio-13-guest-special.html
Feedback is appreciated on either my blog or Jim's, because I haven't mentioned he takes over proceedings for the second half with another eclectic mix that I'm sure you'll enjoy.
This week for podcast 13 he asked me to contribute some choices.
Below I'll explain my choices, in painstaking High Fidelity detail, before providing you with the link to go download it.
Firstly, you've got to start with something that grabs the attention, or something epic, you've got to have a launching pad that isn't just a 'normal' tune. I wanted something odd to open up and a good track is the title track from the film PONYO. It's short, sweet and catchy as hell.
Following that we're into the belly of the beast, of what I called when talking about it the MELANCHOLY MIX. New Year's Kiss by Casiotone for the Painfully Alone sets this up.
I then placed Husker Du's I Don't Wanna Know if you are Lonely at 3, i wish this came a bit later, it's something with a but of a faster pace a but louder, it would have broke up proceedings later on. Oh well, nevermind, it's still a great track.
After that come 3 piano led tunes, you'll be a wreck on the floor after those, then picked up by some blues tunes. Walkin' the Blues by Willie Dixon is my favourite song to write to at present.
Then the end of my stint with track 9 The Leaning Tree off the new Sun Kil Moon album, epic yet stripped back, with perfect vocals and guitar playing.
So, if you've read all this surely you'll be clicking this link.
http://thereisspaceshipsoverdeeside.blogspot.com/2011/01/spaceships-on-radio-13-guest-special.html
Feedback is appreciated on either my blog or Jim's, because I haven't mentioned he takes over proceedings for the second half with another eclectic mix that I'm sure you'll enjoy.
Thursday, 20 January 2011
Susie Pepper's Teeth Murky Depths 15
Look at that glorious cover, and housed beyond that is my glorious comic strip Susie Pepper's Teeth. I recieved the proofs just before Christmas and was blown away, the artist, Thomas Tuke, has done a fantastic job.
The story is a twisted take on the vampire genre, involving a young girl called Susie Pepper, it's a really gruesome, but also quite sweet tale.
It looks amazing too. If you want to order the magazine, which won British Fantasy award for magazine of the year 2010, you can do so by following this link
It's £6.99 and there's loads of other good stuff in the issue.
If you do read Susie Pepper's Teeth I'd love to know what you thought.
Thanks
The story is a twisted take on the vampire genre, involving a young girl called Susie Pepper, it's a really gruesome, but also quite sweet tale.
It looks amazing too. If you want to order the magazine, which won British Fantasy award for magazine of the year 2010, you can do so by following this link
It's £6.99 and there's loads of other good stuff in the issue.
If you do read Susie Pepper's Teeth I'd love to know what you thought.
Thanks
Thursday, 13 January 2011
Blue Box 3
I'm pleased to announce, I have another Doctor Who story in the 3rd issue of Blue Box. this one features the second Doctor and his companions.
I love this story which mostly takes place on Alcatraz before taking an odd twist. I hope you feel I've captured Troughton's doctor well as he is my favourite.
I hope if you liked my last story Escaping Sunbeams that you'll have a look at this, it's only £1.50
Check out and order Issue 3 here:
http://blueboxfanzine.blogspot.com/2011/01/3-and-time-to-depart.html
I love this story which mostly takes place on Alcatraz before taking an odd twist. I hope you feel I've captured Troughton's doctor well as he is my favourite.
I hope if you liked my last story Escaping Sunbeams that you'll have a look at this, it's only £1.50
Check out and order Issue 3 here:
http://blueboxfanzine.blogspot.com/2011/01/3-and-time-to-depart.html
Sunday, 9 January 2011
Screenwriter Geek: William Goldman
I've just started reading William Goldman's Adventures in the Screen Trade, I'm probably behind every self respecting screen writer on that front, but if you haven't read it you need to right away.
I'm only a hundred pages in, and don't want to quote huge passages from the book, you should go out and buy it but two bits that have stuck out so far are when Goldman discusses the lonliness of the writer, "most of us are entering uncharted ground, and we have hope, but we also know the odds against us. Failure keeps us company."
And also the great section on agents, and the importance of a good query letter.
What a great screen writer, and what a great book. an inspiration to us all.
I'm only a hundred pages in, and don't want to quote huge passages from the book, you should go out and buy it but two bits that have stuck out so far are when Goldman discusses the lonliness of the writer, "most of us are entering uncharted ground, and we have hope, but we also know the odds against us. Failure keeps us company."
And also the great section on agents, and the importance of a good query letter.
What a great screen writer, and what a great book. an inspiration to us all.
Friday, 7 January 2011
Screenwriter Geek: Every script is different
This blog is about writing.
More specifically, how you can only learn so much about script writing, and I'm sure it's the same with novels and all other forms, because each script is different, feels different, and has it's own challenges.
For example, the script I'm working on now is another attempt for me at writing a 30 minute comedy script for TV. I have tried this before in a script jam packed full of ideas, but probably too many of them. I was trying to create a hybrid genre of comic book sci fi, horror and comedy but all I managed to do was dilute the comedy aspect of it. So i learnt to make the comedy the focus of my new piece, but then the format got in the way, somewhere between getting the idea and beginning to write it a faux documentary style came into play, so now I had to contend with this overshadowing the comedy elements, but I'd learnt this lesson before, until I realised that this style of script led to a completely different style of writing, for me it did anyway.
Usually when I write first drafts it is usually in a chronological manner, starting at scene 1 and not stopping until I'm at the end of the script, but this one has given me the freedom to just write whichever bit I want, or whatever funny bits are in my head at the time, and then bring it all together in the redrafting, like a good editing process. I've known other people to write like this, but it's never been my style, until this script offered the opportunity to do it.
Other scripts have differed in what routine, or lack of, works best to write it. My first feature script I could only write late at night in 2 to 3 hour bursts after 11pm, whilst a few scripts have poured out in a matter of days. Others like to be worked on in small 5 minute bursts throughout the day, taking a long time to come together, and one or two get worked on until they're halfway done and then like a break until i can come back finish it and fix it up nice.
If you're a writer I'd like to know you're writing stories because I am a geek about screenwriting.
More specifically, how you can only learn so much about script writing, and I'm sure it's the same with novels and all other forms, because each script is different, feels different, and has it's own challenges.
For example, the script I'm working on now is another attempt for me at writing a 30 minute comedy script for TV. I have tried this before in a script jam packed full of ideas, but probably too many of them. I was trying to create a hybrid genre of comic book sci fi, horror and comedy but all I managed to do was dilute the comedy aspect of it. So i learnt to make the comedy the focus of my new piece, but then the format got in the way, somewhere between getting the idea and beginning to write it a faux documentary style came into play, so now I had to contend with this overshadowing the comedy elements, but I'd learnt this lesson before, until I realised that this style of script led to a completely different style of writing, for me it did anyway.
Usually when I write first drafts it is usually in a chronological manner, starting at scene 1 and not stopping until I'm at the end of the script, but this one has given me the freedom to just write whichever bit I want, or whatever funny bits are in my head at the time, and then bring it all together in the redrafting, like a good editing process. I've known other people to write like this, but it's never been my style, until this script offered the opportunity to do it.
Other scripts have differed in what routine, or lack of, works best to write it. My first feature script I could only write late at night in 2 to 3 hour bursts after 11pm, whilst a few scripts have poured out in a matter of days. Others like to be worked on in small 5 minute bursts throughout the day, taking a long time to come together, and one or two get worked on until they're halfway done and then like a break until i can come back finish it and fix it up nice.
If you're a writer I'd like to know you're writing stories because I am a geek about screenwriting.
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