Friday, 6 August 2010
Extreme films
EXTREME CINEMA- SICK
I have been defeated by a prime example of extreme cinema. You may not have heard the term extreme cinema, I use it to describe something that you wouldn’t usually see and that may have a mental effect, usually with the audience wishing they could un see some of the visual imagery presented to them.
I’m a fan of cinema that pushes boundaries and could list off a fair few. Harmony Korine’s Gummo is a tough watch but I can’t really explain why. Weird would sum it all up. In the horror genre there is often, as there should be, extreme imagery and themes. Recently Pascal Laugier’s Martyrs took me on a journey as it got more and more extreme throughout, a really confronting and challenging film. And there’s always the films of Miike Takashi, his ‘comedy of sorts’ Visitor Q, which mines extreme material and themes throughout, and his more seriously presented violence seen in Ichi the Killer and Audition.
Gaspar Noe’s Irreversible is told in a vertigo inducing manner with its backwards narrative and swirling cameras, but it’s the grubby nightclub violence and extremely long and hard to watch rape scene which lingers in the memory. Rape in cinema has always been a contentious point but when presenting rape I believe it should never be presented in a light hearted manner. Kirby Dick’s documentary This Film Is Not Yet Rated presents the argument that violence is presented in American mainstream movies as having no consequences, action films aimed at a family audience show people getting shot, but no blood, it’s all for fun. Surely this is the wrong way to present something horrific, with showing the consequences being the right and moral thing to do.
It was a documentary which defeated me in its extreme nature. Made again by Kirby Dick, it was called Sick: The Life & Death of Bob Flanagan, Supermasochist. It is the story of Bob Flanagan who punishes his body that he feels he has no control over because of his cystic fibrosis. The film has scene after scene of sadomasochism, one involving a nail and a sensitive part of the male anatomy, but this isn’t what packs the extreme emotional wallop. We follow Bob right up until his death, up close and personal. The camera actually records his final hours. I found it all too much, which suggests this is an extremely well made film about a man who lived to the extremes, and didn’t just watch them from the safety of his living room. Even that proved too much for me. Watch with caution.
Friday, 2 April 2010
Good Friday Catch Up
So, within the last week have been to Amsterdam for a few days, where I went to Anne Frank's House, which was utterly heartbreaking and then to the Rijks Museum where I got to see the Night Watch.

It looked more impressive, and bloody huge, up close. Heidi couldn't stop thinking the guy at the front was Bill Bailey. Also just heard Peter Greenaway's new film is based on this painting, so may have to check that out. I'm a glutton for punishment.
My next blog for In/Out magazine, link is on the sidebar, confronts this gluttony in looking at extreme films, name checking Gummo, Irreversible, Visitor Q and more along the way. But the focus is an extreme film which defeated me, Kirby Dick's Sick: The Life and Death of Bob Flanagan, Supermasochist.

You're lucky that I chose that picture, the alternative was him nailing his cock to a stool with a hammer. Do a quick Google search you'll find it. I won't harp on too much about it my thoughts can be found in my In/Out blog, hopefully be up next Tuesday.
Finally, I've decided to give Script Frenzy a miss this year. Main reason is I've got too many other scripts vying for attention. Need to get a few things finished before i can move on. Saying this I'm considering writing a radio drama during this month. Idea has been in my head for ages and is called The Trees.
Have a good Easter weekend and enjoy Doctor Who saturday night. You may be able to tell I'm a little excited.